My hands-on ended with a key gameplay element that I sadly wasn’t provided footage of: deciding what to do with the district after you’ve whacked Tony and taken over his slice of town. It should give the open world some of the life that Mafia II lacked.
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You can also upgrade your car so that car chases get even more fun - I love how the turn-by-turn directions are organically placed in the game world as virtual road signs, by the way - call in favors for things like cutting the phone lines so that the bad guys can’t call in reinforcements, and much more. Shotgunning, blind firing, and a total lack of fear will open the door to Tony where…well, I don’t want to spoil what you can do to him.īetween shootouts with capos, you can do things like wiretap targeted areas, which will allow you to see enemies through walls - as well as other items or points of interest - in the Intel View. I stealth-whacked the first few guys I encountered, and then headed up the elevator to the top floor. I could’ve gone in the front door, guns blazing, but I chose to steal Dominic’s car so I could cruise undisturbed into the underground parking garage at the Hotel Royal, where Tony had fortified himself up in the penthouse. Remember how high and mighty Tony was a second ago while whacking Joe and telling Dominic to go collect the neighborhood’s debts? Well, after you pound enough skulls and torch enough trucks, you’ll get a shot at Tony himself. Therefore, if you take money from the mob they’ll be weakened, eventually enabling you to go after the top guys. This takes money straight out of the pockets of your enemy mafiosos, and if they can’t kick upstairs, that means the upstairs guy can’t kick up to HIS upstairs guy, which sets off a chain reaction that results in things like, say…neighborhood shopkeepers like poor Joe getting offed for not making his protection payments to the mob on time. Mafia 3 lets you chip away at the influence of your rivals, block by block, by taking out their supply trucks.
He doesn’t mess around.īack to the “hurting the wallet” part.
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Lincoln clearly learned not only how to shoot in Vietnam, but also how to mash faces into concrete. Pull off a B-B-B-A combo with the proper timing in a face-to-face battle and you’ll be rewarded with a brutal takedown.
Sneak up on an unsuspecting bad guy and a B-button press will score you a violent takedown. Lincoln wages war against the Italian mob in New Bordeaux - read: New Orleans - by hitting them where it hurts: in the wallet. Seriously, if you don’t recoil at least once at Mafia 3’s brutal takedowns (in a good way they’re pretty damn fun to execute), then you’re truly desensitized to just about anything. The year is 1968, and Lincoln is a Vietnam vet - a convenient explanation for his otherworldly combat skills. You play Lincoln Clay, an orphan whose only family has ever been of the organized crime variety. Combine that with heavenly driving physics and brutal combat, and I might be saying “Fuggedaboutit” to other games so that I can focus on Mafia 3 this October. If my two hours with Mafia III is any indication, righting that wrong is a key design pillar. But it’s never been able to fill out its period-perfect places with enough to do.
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The series has always nailed story, setting, and time period - the very things that many other open-world games come up short on. Mafia 3, like its predecessors, has the potential to be among the heads of the open-world family.
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